Venice in EbeltoftVenice in Ebeltoft

Two new exhibitions at Glasmuseet Ebeltoft  

It has been showing in New York and Paris – now it can be seen in Ebeltoft: Venice. 3 Visions in Glass, presents works by three highly acclaimed artists working with glass: Cristiano Bianchin, Yoichi Ohira and Laura de Santillana. All of them live in Venice, Italy, and work on the legendary glass island of Murano, where they have managed to revitalise and renew traditional glass making.

At the same time Glasmuseet Ebeltoft reveals the third project in The Study, which is the museum’s platform for experimental work and emerging artists working in glass. This time the Study features work by young Danish artist, Stine Bidstrup. In her work-in-progress exhibition Studies in Search of Order and Chaos she sets out to examine perception and vision through mathematical methods and computer graphics.  

Both exhibitions are open to the public from 15th October.  

Venice. 3 Visions in GlassVenice. 3 Visions in Glass

Cristiano Bianchin. Urna, Raccoglitore di Pensiero (Urn, Thought Collector), 2005-2006. Yoichi Ohira. Cristallo Azzuro Sommerso - Vase, 2008. Laura de Santillana. Permafrost, 2007.
Cristiano Bianchin. Urna, Raccoglitore di Pensiero (Urn, Thought Collector), 2005-2006. Yoichi Ohira. Cristallo Azzuro Sommerso - Vase, 2008. Laura de Santillana. Permafrost, 2007.

Cristiano Bianchin | Yoichi Ohira | Laura de Santillana

Venice, and in particular the island of Murano, is a place with strong traditions for glass making. For many centuries, the Italian maestros have kept secret and protected their knowledge about the many highly refined and demanding techniques, which characterize the world famous Venetian glass making.

Thus the three artists represented in the exhibition Venice. 3 Visions in Glass are extraordinary not only due to their distinctive work in glass but also for breaking from tradition. They work together with studios on Murano and are acknowledged worldwide for renewing form, aesthetics and techniques.

As Janet Koplos writes in the book, published in connection with the exhibition “each of the three [artists] brings to the work a non-standard approach: Laura de Santillana because she is a woman in what has been a man’s field. Yoichi Ohira because he is Japanese in Italy, and Cristiano Bianchin because he combines two contradictory materials. The artists thus escape convention in a way that few Murano craftsmen would choose to do – or even conceive of doing.”  

Cristiano Bianchin was born in1963 in Venice. He graduated from  Accademia di Belle Arti, Venice, in 1987, and made his first work in glass in 1992. Cristiano Bianchin combines glass with other materials and primitive figurines, inspired by African and native American culture. In his latest series of glass urns, he combines hand-blown glass with crocheted hemp and figurines into objects, which are both elegant and conceptual. Bianchin also makes large wall pieces, made from crocheted hemp, installations and works made of wood and paper.  

Japanese born Yoichi Ohira (b.1946) has lived and worked in Venice for more than 35 years. He studied at Kuwasawa Design School in Tokyo, 1969, and Accademia di Belle Arti in Venice. His vessels combine Japanese aesthetics with traditional Italian techniques and colours into poetic pieces outside time and space. In his groundbreaking series Cristallo Sommerso he creates organic “torsoes” in clear glass.   

Laura de Santillana (b.1955) was born in Venice and is the grandchild of the renowned founder of the Venini Glassworks, Paolo Venini. She graduated from the School of Visual Arts, New York, USA, 1975-77. Her blown objects in the series called Tokya-ga are simple two or three coloured meditations on colour, form and surface, which are often compared with Mark Rothko’s abstracts paintings.  Santillana’s works however, have a vibrancy which is not obtainable with canvas and paint. Lately she has developed a series of organic, metallic Meteors, which relate to fallen objects from the sky.  

Venice. 3 Visions in Glass presents 91 works from the last 10 years made by three of the most significant contemporary artists working with glass today, made in collaboration with skilled craftsmen from Murano studios.

Cristiano Bianchin, Yoichi Ohira and Laura de Santillana are all represented in many international private and public collections and have received numerous prestigious awards for their groundbreaking works.  

The exhibition has been arranged in collaboration with Barry Friedman Ltd., New York.  

Book
In connection with the exhibition a 468 page, richly illustrated book has been published. Texts in English and French by leading experts and critics. The book can be purchased at Glasmuseet Ebeltoft.  

Exhibition period: 15.10. 2011 – 07.04. 2012.  

Images in high resolution can be downloaded here.         

Studies in search of order and chaosStudies in search of order and chaos

Studies in search of Order and Chaos, blæst glas, 2010.
Studies in search of Order and Chaos, blæst glas, 2010.

Stine Bidstrup

Since 2007, Danish artist Stine Bidstrup has been working on a series of related works called Studies in Search of Order and Chaos. It is an ongoing work-in-progress project, inspired by her continued investigation of the connections between vision, body and the world around us.  

Motivated by the idea of glass as a lense or a membrane, she uses its optical qualities to focus, distort, enlarge, reflect and transform the world and examines what it Studies in search of Order and Chaos, blæst glas, 2010. means to sense. Based on a fundamental fascination of the meeting between pattern and surface and pattern and volume, her blown pieces integrate different patterns.      

My work begins with digital reworking of the grid and other geometrically organized and disorganized patterns from Western and Middle East culture. When connected with the elasticity typical of hot glass, I attempt to construct and build with a line in order to seize the form as a whole with a pattern.    

Interference, overlaps and optical vibrations appear in the patterns but imperfection and gleams of coincidence can be seen in some of the details, as the pieces are handmade.    

With a watchful eye on three dimensional illustrations of mathematical, physical concepts such as infinity, chaos theory and the infinite variations of certain patterns, I examine the use of ornamentation as an expansion of form and expression.                                                   
Stine Bidstrup.  

Stine Bidstrup (b. 1982, Copenhagen) studied at the School of Glass and Ceramics at Bornholm, DK, 2004, and the Danish School of Design, Institute for product design, and Rhode Island School of Design, USA, 2004-2006. She has exhibitied in Denmark, USA, the Netherlands, Germany, France and Norway and is represented in several Danish and international collections.  

The exhibition has been supported by:
Knud Højgaards Fond
Danmarks Nationalbanks Jubilæumsfond af 1968
Den Hielmstierne-Rosencroneske Stiftelse
Frimodt-Heineke Fonden
Grosserer L. F. Foghts Fond
Esther & Jep Finks Mindefond for Arkitektur og Kunsthåndværk  

Exhibition period: 15.10. 2011 – 26.02. 2012.  

Studies in Search of Order and Chaos is the third exhibition project in The Study. The Study is the museum's outpost, which paves the way for new tendencies and directions. It signals the experimental character of projects and supports the significance of work-in-progress.  
Read more about The Study at www.glasmuseet.dk.  

Images in high resolution can be downloaded here.

For further information, please contact:   Executive director, Dagmar Brendstrup | + 45 8634 1799 | dab@glasmuseet.dk or Pia Bittner, PR and communication | +45 8634 1799 | pia@glasmuseet.dk